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The pattern points I lock early Waist seam stability and stretch control Skirt panel symmetry and grain direction Hem sweep target by size, not just one size How I grade midi A-line without destroying the shape I increase sweep gradually, not by a flat number for every size I check side seam length balance after grading I keep waist-to-hip shaping consistent so the skirt starts flaring at the same point QC checkpoints that prevent most returns Hem evenness check on a hanger and on a dress form Seam twist check after steaming Shrinkage test for viscose and blends before bulk cutting Color shading check for satin lots A simple QC table I use with factories Maxi A-Line Dress Maxi A-line dresses look easy, but they often fail in real selling

"In actuality, there were plenty of black dresses before that date, including many by Chanel herself, and black was already a fashionable colour but there's something about this moment and the way it embodies the modernising spirit of the 1920s." That moment is how the new show begins the largest fashion exhibition the National Museum of Scotland has ever staged - a simple crepe de chine dress made by Chanel in 1926, borrowed from the Kunstgewerbemuseum in Berlin

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For semi-formal events, chestnut or walnut are excellent mid-range options

Zipper on backside